Tuesday, 17 October 2017

The Ritual (2017) - Horror Film Review

The Ritual is a British made horror directed by David Bruckner (The Signal) that takes place in some vast woods in Sweden and seems to be very much based on the folklore of the area, and is also an adaptation of the book of the same name (a book written by Adam Nevill who has glowing recommendations, I shall have to check out some of his work). It features beautiful scenery and some great characters, but can the 'lost in the wood' plot device work well any more after countless other films with the same idea?

Four 30 something friends have decided to go on a hiking trip in Sweden, they include Luke (Rafe Spall), Hutch (Robert James-Collier), Phil (Arsher Ali) and Dom (Sam Troughton). The trip is in memory of their friend Robert who was murdered during an armed robbery at a convenience store him and Luke had got caught up in. On the way back to their hiking lodge Dom badly twists his ankle, the group decide that rather than stick to the route, they are going to take a short cut through a nearby wood. However the deeper into the woods the group gets the more weird things start happening to them, and the more they start to suspect they are not alone...

The cinematography in The Ritual is stunning, that's the biggest thing I took away from watching this. The woods may be large and very foreboding but it looks amazing and there are no end of neat camera shots to show us this. In many ways this felt like The Blair Witch Project done with a budget, obviously it is not found footage in style but it has many of the same story beats such as local legends, the discovery of weird symbols, people getting lost in the woods, members of the group vanishing mysteriously etc. The first two thirds of this kept my attention far more than the final third, I actually enjoyed the being lost aspect better rather than starting to understand what is going on. I loved how there was a gradual drip feed of terror to the hapless heroes, it starts with discovering a fresh animal carcass pinned to a tree and culminates with the foursome spending the night in a creepy cabin that happens to have a strange altar upstairs. Waking up after all having had similar nightmares there was an element of Book of Shadows: Blair Witch 2 to things at the absolute insanity that occurs. Phil for example being discovered naked, praying at the strange altar, but with no memory of how he came to be doing that.

Sunday, 15 October 2017

The Survivor: A Tale from the Nearscape (2017) - Post Apocalyptic Short Film Review

Christopher Carson Emmons directed short The Survivor: A Tale from the Nearscape is a near 12 minute award winning post apocalyptic film that stars a silent protagonist and looks quite impressive at the sense of world it creates. It tells a simple story but one that comes across well thanks to the directing.

This takes place in a post apocalyptic world where the outside air has become toxic to breathe. A young boy goes on a supply run to gather water and medicine for his sick mother, avoiding infected, cults, and the brutal police force as he does so.

The best part of The Survivor is the set dressing and costume design, some such as the police uniforms are great looking, while the dilapidated wastelands the boy travels looks authentic enough. For a 12 minute film there is a lot that happens, such as three separate chase sequences, a couple of dialogue scenes and some nice but brief action. A lot of the narrative initially comes from the boy's toy robot that has an A.I chip built into it and so provides information about the world the boy is travelling through. This is provided by a voice that has been added over the footage and so seemed a bit odd at times. In a Fallout type of way I loved the idea of an A.I infused children's toy though. So at first the suspense comes from the decreasing oxygen supply the boy is fitted with, the infected of this seem more ill than anything, though a sequence where a narrow alleyway leads to hands bursting out of walls and even a tyre create a type of zombie vibe.

At times the acting wasn't the strongest but the many characters felt like they belonged in the world, especially interesting was the supply shop that had a kind of washed out Z Nation vibe to it. The police chase towards the end felt at odds with this complete sense of law and order having broken down but it gave meaning to television interference shown earlier and at the end of the short, hinting at a bigger cohesive world than what is shown here. It also of course is an indication of the total divide between the general population and those still in control.

With some nice special effects, unobtrusive CGI, and a hero's journey The Survivor is a nice little foray into a doomed world, one that is helped, not hampered by the main characters muteness. This short is currently being shown at a variety of film festivals, and is available to watch on YouTube.


Thursday, 12 October 2017

Something Scary (2017) - Short Horror Film Review

Something Scary is the third short horror film to come from Andrew J.D Robinson, the others being Placebo, and A Walk Home Alone. This actually stars Aileigh Karson who also featured in Placebo. Horror and video games are two of my favourite things so when I saw Robinson's latest short was going to marry the two things together I had high hopes, but for me it just didn't quite come together.

Karson stars as GamerGurl; an online star of a YouTube style video game channel. She has received a beta of horror game Something Scary and is going to stream her playthrough live for her fans to watch, however once she starts playing things begin to get strange...

First off, I loved how this was presented, the short is shown almost like it is a video you would watch online, most the time GamerGurl is on video in the corner of the screen with the fake game taking up the rest. The game has nostalgic pixelated graphics which feeds over into the end credits that have a similar look to them. Karson is a great choice for lead, she comes across as naturally likeable and talks to the camera well, which is helped by the editing for her segments. The game she is playing looks pretty basic, but that is totally understandable as this is an indie film, I wouldn't expect something looking stunning so it does the job it was created to do. For me though I wasn't sure which of the several little twists were meant to be the scary part, none of them felt like they hit home to me personally. I even re-watched this 4 minute short a few times to see if I had missed something.

While the actual horror aspect didn't work for me in terms of originality this was good, I haven't seen a short horror set out in this way before. Also with Karson you have a lead who fitted the character she was acting as very well, and the style of the short is pretty cool. Something Scary is by no means a bad piece of work, it had some good ideas going for it, but to me it just felt constrained by the short run time that seemed to get in the way of some of those neat ideas getting to flourish.


Tuesday, 10 October 2017

I Am Alone (2015) - Zombie Film Review

Zombie films always hold a special place in my heart, after all zombies are the reason I started this blog just over 9 years ago. As such I always look especially forward to seeing any films featuring the undead. Award winning I Am Alone is another found footage, it is all I seem to be getting sent my way lately, however it is also true it has been a long time since I have seen a bad one and thankfully this doesn't fall into that camp. Found footage films in the zombie genre are rare, but there have been a fair few over the years, most notably the late, great George Romero's Diary of the Dead. Despite obvious budget constraints in places this indie effort by director Robert A. Palmer (who also co-wrote this with Michael A. Weiss) shines tall in this niche sub-genre, mostly due to the heart on show here.

The film begins mid zombie apocalypse and cameraman Mason Riley (Gunner Wright) finds himself a 'guest' of the CDC. It is explained to him that his friend, and star of a survivalist reality TV show Jacob Fitts (Gareth David-Lloyd) after being bitten managed to resist succumbing to the undead plague for days and days, when in every other example known the victim had turned within minutes. Mason, producer Adam, and Jacob had been up in the Colorado Rockies where Jacob had set off alone to film a 7 day survival challenge, it had been when Mason and Adam had returned to the local town that the trouble began. Now the CDC want to go through the pieced together footage they retrieved from the three men in order to try and figure out just what it was about Jacob that allowed him to resist the disease for so long...

I applauded Hell House LLC just the other day for doing something different than just pure found footage and so it was nice to see I Am Alone also try something different. The footage is intercut with the present day sections that take place in the interrogation room of the CDC. Mason and his interrogator; Dr. Marlow (Marshal Hilton) are physically watching the footage on an old CRT TV. These sections are where the budget is at it's most obvious as reminded me of a mid 90's video game FMV, in a cool way though as it was always a treat to come back here and get perspectives of what was going on by the duo watching. As with all good films shot in this style it follows the tried and tested formula of events eventually surpassing the flashbacks (so to speak). I liked the ticker tape display that was updating on how much of the population was estimated to be one of the walking dead, and the infrequent power outages hinted at what was to come.

Monday, 9 October 2017

Paranormal Activity: The Lost Soul (2017) - Horror Video Game Review (PSVR)

If you had asked me before yesterday the last time I had taken some decent time to play PSVR I wouldn't have been able to tell you. It was my favourite purchase of 2016 and I had some great times with it at the start of 2017 with Resident Evil VII: Biohazard but I had come to think of it as being pretty poor. In my head it was a let down. However I decided to give Paranormal Activity: The Lost Soul a go as I had brought it when it first came out a few months back, but only tried it for around 10 minutes. I'm really glad I did give this another whirl as it reminded me how damn good PSVR actually is with an immersive and genuinely terrifying experience.

In the game you play as an unnamed person arriving at night at what appears to be a typical American house. Finding the key you let yourself in but it isn't long before you discover something isn't right at all, a demonic force is prowling the place and hunting both you, and a mysterious girl you find. Armed with a spell book you discover you must explore the house, finding the required items that will hopefully expel the dark evil...

So this falls into the 'walking simulator' of game types in that your avatar is totally helpless in terms of being able to defend themselves. You explore the large house with events happening that lead to new areas opening up. Along the way you find keys, letters, and key items, as well as cassette tapes that both shed more light on what has occurred and help you try and achieve your goal. While a lot of the environment can be interacted with, such as opening drawers and doors a lot also can't be interacted with, more often than not you will find your disembodied hands vanishing into the furniture. I got around this immersion altering fact by saying in my head that was just part of the spooky goings on. Less so is that while some doors can be interacted with (either making a locked noise or actually being able to be opened) there are some that just appear to be set dressing with no interaction at all. The controls are awkward in that you use the ever not perfect move controllers, thankfully there isn't the hateful teleporting to move around, instead you use the face buttons to move forward and backward, while you can turn incrementally to the sides. I really wish there had been the option to move around without the weird incremental turn thing.

Sunday, 8 October 2017

Hell House LLC (2015) - Horror Film Review

Another day and another found footage, this time it is the turn of Stephen Cognetti's Hell House LLC which has a cool premise to it. I was actually sent a screener of the extended DVD version of the movie which has around 9 minutes of extra footage which was nice, I don't know what was added over the original but nothing seemed out of place. I often go on about 'new' and 'old' styles of making found footage, and this falls into the old style. The sub genre used to be known for frustrating shaky cam and blurred footage, of which there is some of that here. However the whole film is set out like a documentary with the footage incorporated in as part of this documentary so there is a nice sense of structure that combines well.

Five years after an unexplained event led to the death of a whole bunch of staff and visitors at the opening night at a Halloween haunted house tour set at an abandoned hotel, a film crew decide to make a documentary to explore what really happened (as there was a huge cover up by the local authorities). They manage to locate one of the original staff members; Sara (Ryan Jennifer) who not only gives her version of the story, but provides the crew with the footage the event planners filmed in the run up to opening night which forms the basis of their investigation.

I really enjoyed the style of this film, normally there are a few sentences on a black screen at the start as plausible explanation for why we are seeing found footage, but Hell House LLC goes the extra mile with the whole movie taking place as a produced documentary. I admit for the first five minutes I was almost convinced this was a legitimate show rather than a film. You have interviews with local towns people, experts in the field, and researchers, as well as news bulletins and footage filmed from one of the visitors. This initial first footage works in giving more questions than answers, it is heavily hinted that the horror that unfolded took place in the basement yet that is where the filming ends with the guest getting turned around before seeing anything. This part was also neat in unknowingly to the viewer at that time revealing what happened to staff members that then get much bigger roles in the meat of Hell House LLC.

Saturday, 7 October 2017

Flatliners (2017) - Horror Film Review

I mentioned in my second news post of the week yesterday that the reason there was no review was due to the showing of Flatliners being on too late at my local cinema, and so now here is that review. When I was a child I remember my parents owning a VHS of the original Flatliners but aside from the first five or so minutes I never actually saw it. I had no idea whatsoever it was a horror so when I first watched the trailer for this re imagining I was quite surprised, and also interested.

Courtney (Ellen Page) is a junior doctor who has been researching the concept of the afterlife in her spare time after having lost her sister in a car accident she caused 9 years previously. She decides to carry out an experiment in which her heart is stopped so that she can have her brain waves analysed while she's dead, before being revived. She enlists the help of several other junior doctors; rich Jamie (James Norton), shy Sophia (Kiersey Clemons), serious Marlo, and intelligent Ray. The plan is carried out and Courtney returns to life having experienced something amazing, not only that but she is changed and has a new zest for life, while able to access parts of her memory that had been locked away (Limitless style). One by one her friends also have a go and for a little while all seems great. However they seem to have brought something back with them, something which wants to punish them for their most deepest, darkest secrets...

To me Flatliners felt like a cross between Final Destination and A Nightmare on Elm Street. The former in that the death that stalks the group is faceless, appearing as the form of the person the individual feels they have wronged in their past. For Courtney it is her sister, she gets frequent hallucinations that occur at any time and get increasingly more terrifying. For Marlo it is visions of the patient she accidentally killed during her second year as a junior doctor. There is the Final Destination vibe in that it is the environment that is the threat for the group, such as when Marlo hallucinates someone has put a bag over her head while she is driving causing her to nearly crash. The A Nightmare on Elm Street vibe comes from the afterlife experiences themselves, each starts off beautifully before slowly twisting into a Hell. Such as Jamie who is cheesily driving a motorbike through a deserted city with a beautiful girl clinging onto him, before he finds himself in a dilapidated neighbourhood all alone.

Friday, 6 October 2017

The First Date, Kill or Be Killed, Bye Bye Baby, The Black Gloves and Buckout Road - Horror Film News and Trailers

A second day of news and trailers for various films, yesterdays post was so well received that an encore was demanded, demanded! Or maybe it is due to going to a late screening of Flatliners, followed by a planned streaming of the PSVR Paranormal Activity game meaning I wont have time to do anything more substantial.

The First Date is a horror comedy anthology coming from Reel Nightmare Films (Hotel Camarillo) that has been released on Amazon Prime, Amazon Instant Video (US, UK and DE), and worldwide on Vimeo On Demand. The film's synopsis reads "Tired of the online dating world, a hopeful woman decides to give it one last try with a stranger who owns his own theatre has a collection of very strange short films." It is very hard to get an idea of what type of film this is going to be from the trailer, I'm assuming the short horrors all revolve about dates, the blurb says this includes paranormal scares, science fiction, thriller and b-movie comedy.

UK teen horror feature Kill or Be Killed is now out on DVD in the UK. Apparently this was first made way back in 2013 under the name Tag but has only just been released. It was directed by B.L Parker and written by Aaron Ellis (who also acts in this). Other actors include among them Ed Sanders (Sweeney Todd) and the very prolific Kim Sonderholm (Harvest). The story sounds interesting; 5 years after a group of teenagers were found dead in mysterious circumstances a paranormal investigator interviews the only survivor, who happens to be in prison having been convicted of murder. This survivor insists that the friends were forced into a deadly game of 'tag' by an inhuman force.

Bye Bye Baby is the latest short film from director Pablo S.Pastor (his previous film being the award winning Into the Mud) and is part of the 2017 Sitges Festival's Official Selection. In the short a woman plans to spend a quiet night home alone, but after a friend's call things start to go very wrong and she starts to wonder if she is actually really alone in the house. This is described as a homage to horrors such as Scream and Halloween with the intent to make the viewer never want to be home alone ever again! The trailer certainly works at making you intrigued.

Unique director Lawrie Brewster's (Lord of Tears) latest film The Black Gloves is to make it's premiere at Horror Channel's FrightFest Halloween event in London, UK on 28th October. This black and white film is a prequel of sorts to Lord of Tears taking place in the 1940's, and tells the story of a psychologist obsessed with the disappearance of a young patient and the owl headed figure that haunted her dreams. Tickets for the FrightFest event can be found here if you want to go and see this. Meanwhile check out the awesome trailer, I really love this trailer, the bird type whistle is perfect here.

Finally to close off today's batch of film news comes the trailer for Buckout Road that marks the directorial debut of Matthew Currie Holmes and stars among others Danny Glover (Lethal Weapon I-IV), Evan Ross (The Hunger Games: Mockingjay) and Colm Feore (House of Cards, Thor), as well as features the always awesome Jessica Cameron (Truth or Dare) in a guest appearance. I have just seen the trailer and you can colour me impressed, this looks like it might actually be pretty scary, and a well made scary film at that. The plot revolves around a group of students whose research into the most haunted road in New York State; Buckout Road leads to a series of horrific urban legends about the location coming to pass. This award winning film is due to be shown on October 7th in Nashville, Tennessee as part of International Black Film Festival (tickets can be brought here) and on Friday 13th October in Toronto, Ontario as part of Commffest 2017 (tickets here).

Thursday, 5 October 2017

Crazy Lake, Blood Runs Thick, The Wicked Gift and Tales of Frankenstein - Horror Film News and Trailers (and Z Nation news)

It is that time again when my inbox vomits out news of a horror nature, but first off a reminder that the fourth season of the always fantastic Z Nation started last week, with new episodes airing every Friday at 9/8c on Syfy. The first episode of the new season was as funny and crazy as ever so I feel this will be another great season.

Onto film news and we have Crazy Lake that came out 3rd October on VOD and DVD thanks to Indican Pictures. This homage to 1980's slashers was directed by Jason Henne and Christopher Leto and is about a group of several friends who get together at a remote camping spot. Things are going great until the appearance of an escaped convict who brings with him all sorts of crazy. I like how the trailer is edited with the escalation of noise, there are plenty of obnoxious youngsters, though little hint of the slasher side of things.

Director Romane Simon's latest film Blood Runs Thick has now got a teaser trailer. In this movie a young woman struggles with scary hallucinations and the onset of insanity after her husband goes missing. Included in the cast is Emily Killian (The Chosen), Tom Sizemore (Natural Born Killers, Twin Peaks) and Alexander Man (Voodoo Retribution). The teaser doesn't show too much but does feature a little girl with a demonic voice.

The Wicked Gift promises to represent the rebirth of Italian horror in cinema and comes from award winning independent actor/director Roberto D'Antona (The Reaping). It is due to come to the big screen on 6th December and has a plot that seems appropriate for Italian horror. Ethan suffers from insomnia due to terrifying nightmares, nightmares that he discovers conceal something more horrific than he could possibly imagine (seems to involve demons).

Finally for today is Tales of Frankenstein that stars Mel Novak (Game of Death's) and has Wolverine creator Len Wuin in his final film. It also features among its other actors T.J Storm (Deadpool), Jena Sims (Sharknado 5), and Ann Robinson (War of the Worlds). Despite the obvious low budget this actually sounds pretty interesting. This is an anthology of four different short films based on some of director/writer Donald F.Glut's stories in his book of the same name, and they all seem quite B-movie in style. This is due for release in 2018 which marks the 200th anniversary of Mary Shelley's classic Frankenstein novel. There is currently an Indiegogo campaign going to cover post-production costs, that can be found here.

Wednesday, 4 October 2017

Don't Knock Twice (2016) - Horror Film Review

While I will never complain about the amount of films I get sent my way to watch for review it does make it hard to find time to watch films of my own volition. I had been meaning to watch U.K based Don't Knock Twice for a trio of reasons, first as it is a horror that is available to watch on Netflix. The second reason it is an eligible film for the 2017 Fright Meter Awards (of which I am a committee member), and the final nail in the coffin was that there has been a PSVR game recently released that by all accounts is pretty dull, but which I am going to give a go anyway and thought the context of the film might add atmosphere to it.

Chloe (Lucy Boynton) and her friend are discussing an urban legend that was around when they were kids; the legend being that if you knock twice on the door of a certain abandoned house in the neighbourhood then it's ghostly occupant will do the same to your door and make you vanish. They decide to show how silly they were for being scared of this as kids by knocking on the house. Much to Chloe's horror (and maybe disgust at how petty this particular spirit is) her friend goes missing that same night. With increasing signs that she is next to be taken she decides to reunite with her estranged mother who gave her up for an orphanage 10 years previously but is now seeking to take her back having sorted her life out. The spooky goings on don't stop though, at first her mother; Jess (Katee Sackhoff) thinks her daughter is making up her tales of being stalked by an evil supernatural woman, but soon she too gets caught up in the events and must find a way to save her daughter from being taken...and unlike certain parents she doesn't have a 'particular set of skills'.

Don't Knock Twice is quite a by the numbers generic mainstream horror that to begin with did feel very similar to no end of others (Lights Out and The Bye Bye Man are a couple that come to mind). You have an evil force that follows some arbitrary rules and constantly shows up to cause problems for the main lead but who seems weirdly powerless and restrained from just straight up doing what it wants. This is where I had some of the biggest problems, though to the movies credit it often goes out it's way to explore these potential plot holes, such as the fact that the demonic woman isn't able to just appear and take Chloe due to the love of her mother protecting her from the spirits power. However this evil is kind of irritating more than dangerous to begin with, only causing trouble and chaos when none else is around, the usual horror film trope of no one believing the victim due to scary stuff only happening when she's alone. The demon is unpredictable in how it is able to operate, doors are key and there are some decent moments involving these as anything that opens can be turned into a gateway to the demon's realm. However at one point it is able to use the capability of a phone to prank call Chloe, and take pictures of her, this only occurred in one scene and felt quite out of place as at no other point does it use technology as a weapon of fear. Also I have to wonder how many hapless door to door salesmen or Jehovah witnesses have vanished over the years by knocking on the cursed door unaware of the legend?

Tuesday, 3 October 2017

Don't Let The Devil In (2016) - Horror Film Review

Why was that film so weird!? Is what I exclaimed when the end credits rolled for Don't Let the Devil In. Courtney Fathom Sell who wrote, directed, produced and edited this among other things certainly has a unique way of making films if this is anything to go by. At once this has traces of both The Wicker Man, of 80's Italian horrors and of a living nightmare wrapped up in a near arthouse style bow.

New York based John Harris (Marc Slanger) and his wife Samantha (Jordan Lewis) relocate to a small Appalachian town where John is to oversee the development of a casino as a land developer. They hope the change of scenery will allow them to heal after their loss as Samantha had recently had a miscarriage. However it soon becomes apparent that neither of them are welcome at all in the town, the casino is heavily opposed by the town folk, mainly due to the relocation many of the townsfolk face. They see John as the person to focus their hate onto. Aside from the outright hostility they face the couple soon come under more direct attack from what appears to be a group of Satanists.

The editing is maybe the best thing about Don't Let the Devil In, it is what made this so memorable to me with the audacious decision to feature several really important scenes off camera, and then just either suggested, or mentioned by characters as having occurred. This starts off early on when Samantha mentions seeing what appeared to be a strange altar hidden at the back of the local general store, as she recounts this discovery there is a quickly edited together sequence showing what she is describing. This happens time and time again, such as when John is arrested for being drunk in public, one scene he is laying on a bench, next scene he is behind bars, and another when he is just about to be attacked, then the scene cuts to the next day and him waking up all bloody by a river. This even applies to the big finale, it is all set up for something spectacular to happen then just fades to black with the viewer left to piece together what actually occurred by who is on screen and what they are doing. I loved this blase way of storytelling, not only does it make good use of a low budget but it also assumes the viewer isn't a complete idiot and lets them infer the events.

Sunday, 1 October 2017

Die Laughing (2017) - Horror Film Review

Die Laughing is a found footage horror that is in line with the current vogue of having films that centre around a killer taking centre stage, much like Be My Cat: A Film for Anne, Capture Kill Release and A Guidebook to Killing Your Ex. While with each subsequent release these new type of found footage loose some of their shine, as long as you have a good main lead they can still entertain. While Die Laughing did get a pass due to Bob Golub's performance I do feel that it wont be long until much like the more older style these too will start to feel stale.

So Bob Golub stars as himself (and also co-wrote and co-directs), though unlike real life where he has had a successful career in both stand up and on film he instead plays a washed up comedian with a penchant for murder. Golub responds to an ad on Craigslist that was looking for someone who had killed, the poster intends to make a documentary on just what it is like to do that. However the filmmaker finds himself caught up in the goings on of Golub far more than he ever intended to.

This follows closely the format that has been seen in other films though straight away it kinds of trips itself up on the whole 'found' footage aspect. This was perhaps the loosest part as it never comes across as feasible throughout Die Laughing that anything would ever have been done with the footage due to the very incriminating evidence it shows. The filmmaker is a blank slate and doesn't do much but observe for the most part. While it seemed ridiculous that even after people start getting murdered the cameraman doesn't react in any sort of sane way it did become entertaining how uninvolved he became and how he doggedly becomes a hench man of sorts for Golub.

Friday, 29 September 2017

House by the Lake (2017) - Horror Film Review

House by the Lake (directed by Adam Gierasch of Night of the Demons) is a horror that tries something a little different in the way it paces its plot. This way didn't really work for me and made the film feel like two distinct chunks, just that one of the chunks was far briefer in time than the other.

Mismatched couple Scott (James Callis from Battlestar Galactica) and his wife Karen (Anne Dudek) have gone on holiday to a lakeside house along with their severely autistic 10 year old daughter Emma (Amiah Miller) and her helper Gwen (Natasha Bassett). Emma starts going on about someone she calls 'the fish man' which her parents assume to be an imaginary friend, however this man may be more real than they think...

Traditionally films have a three act structure, obviously a beginning, middle and end. With House by the Lake this structure didn't seem to be there. Usually in a horror you have the slow build up until around the halfway mark when the proper stuff begins, not so with this. Instead you have a slow gradual build up for over an hour, and then in less than ten minutes the horror begins in earnest. So the majority of this film is a drama and as dramas go it isn't bad. Scott and Karen are about as opposite as people can be, as an outsider the viewer can see how doomed they are. Karen is all about rules and very controlling, while Scott is the polar opposite, they have nearly zero chemistry together with that only appearing when they talk about the distant past, or when they get natural urges. This friction is compounded by Emma's new helper who happens to be a young and quite attractive woman. There are some good scenes with the three, especially when Gwen first appears, so much is shown by body language. I have a soft spot for Callis anyway as I loved him in Battlestar Galactica and here he does a fine job as does Dudek (though there is a really cringe worthy scene of Callis 'playing' a videogame by mashing random buttons on a X-Box 360 controller). This drama is all well and good but it is horror I wanted from this.